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Welcome to International Journal of Research in Social Sciences & HumanitiesE-ISSN : 2249 - 4642 | P-ISSN: 2454 - 4671 IMPACT FACTOR: 8.561 |
Abstract
A Study of Satire of Major Comedies by Ben Jonson
Dr. Abdul Jaleel Fadhil Jameel
Volume: 12 Issue: 2 2022
Abstract:
Due to the changeable economic, political and social circumstances which the Elizabethan age witness, there appeared several writers who tried to employ their writings in order to solve the problems that faced their society which took place as a result these changes. Among these writers, Ben Jonson, a prominent play¬wright who is considered as the second famous English playwright after Shakespeare during the reign of Queen Elizabeth I and James, devotes his writings to directing a severe satire to the moral follies and deviations emerging in his society. He believes that society cannot become an ideal one ,unless man is capable of overcoming these follies, thus he can ascend his society to the golden world of which he was dreaming. There is unanimous agreement on the fact that Jonson's fame is mainly ascribed to his matchless abilities in adopting a satire in his writings.
References
- Gilbert Highet, The Anatomy of Satire (Princeton, New Jersey: Princeton University Press, 1962), pp. 18, 231.
- The Classical Tradition (London: Oxford University Press, 1949) p. 304.
- Matlow Hodgart, Satire (London: Weidenfeld & Mcolson, 1969), p.14.
- Paul Radin, The World Through Literature, ed. Charlton Laind, 1959, p. 34, in Matthew Hodgart, p. 14.
- Richard Garnett, 'Satire' in Satire; Theory and Practice, ed. by Charles, A. Alien & G.D. Stephens. (California: Madsworth Publishing Company, 1962), p. 1.
- Northrop Frye, 'The Nature of Satire' in Satire's Persuasive Voice ed. by B.A. Edward & L.D. Bloom. (London: Cornell University Press, 1979), p. 32.
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- B.A. Edward & L.D. Bloom, p. 33.
- W.H. Auden, 'Satire' in Satire; Modern Essays In Criticism, ed. 'by Roland Paulson. (New Jersey: Prentice-Hall, inc., 1971), p. 203.
- L.K. Cheyney, History of England (London: Hutchinson University Library, 1970), p. 39.
- G.A. Wilkes & Others, The Complete Plays of Ben Jonson (Oxford: The Claredon Press, 1962), Vol. III. Volpone or The Fox, Act I. Sc. I. 22-24.
- . R.C. Chambers, The Elizabethan Stage (New York: The Macmillan Company, 1968), p. 101.
- D.C. Somber, The Plays and Poems of William Shakespeare (Oxford: The Clarendon Press, 1978), Troilus and Cressida, act I. Sc. iii. 28-31.
- David Daiches, A Critical History of English Literature (London: Seeker & Warbury, 1968), p. 176.
- John Backeless, People and Literature (Cambridge: Cambridge University Press, 1953), P. 4-6.
- George Fowler, The Works of Robert Greene (Oxford: Oxford University Press, 1967), p. 136.
- A.L. Rowse, The England of Elizabeth (Bungay: Richard Clay and Company Ltd. 1953), p. 279.
- G.A. Wilkes & Others, The Complete Plays of Ben Jonson, Vol. iii. (Oxford: The Clarendon Press, 1982), Every Man In His Humour, Act I. Sc. I, 42-4-4-.
- D.K. Spartans, George Feele, His Life and Works, (Oxford: The Clarendon Press, 1969). p. 4-9.
- . S.V. Goldsmith, Ben Jonson (London: Routledge and Co. Ltd., 1961), p. 73.
- K.C. Hart, The Works of Ben Jonson Vol. 1 (London: Methuen & Co. Ltd. 1960), p. xi.
- G.A. Wilkes & Others, Every Man in His Humour, Act. I. Sc. I. Sc. I. 7-14.
- Humours as innate aspects of human nature have a kind of pre existent entity in man. This idea conies close to the modern theories of naturalism that instincts are the innate and inherited prime movers of man's action and his whole being. See Roland N. Stromberg, Realism, Naturalism, and Symbolism (New York: Harper Torch Books, 1968), pp. 107-180; for further information for the humours as innate aspects of man's nature,
- G.A. Wilkes, Vol.VI. The Magnetic Lady or Humours Reconcil'd, Induction, 1-4.
- Every Man Out of His Humour, Induction. 69-74 ff.

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