Abstract

THE IMPACT OF IRAQI HERITAGE IN THE STYLE OF THE PAINTER FAIQ HASSAN

Mahmoud Hussein Abdel Rahman Hussein

Volume: 9 Issue: 4 2019

Abstract:

The nations are distinguished by their heritage, which is the cornerstone of their cultural pillars.Iraq did not depart from those nations. But increased by richness and rich cultural excellence. Historians, writers and artists of all kinds have given birth to the Iraqi heritage. In the artistic field, the artist Faik Hassan, who founded modern artistic methods that immortalized the Iraqi heritage through its stages and its roots, and its originality and creativity, which grew up in Baghdad in his effects,he became a great symbol of modern and contemporary Iraqi art. The aim of the research to highlight (the impact of Iraqi heritage and Baghdadi originality in the style of the Iraqi artist Faik Hassan). Through the theoretical framework and analysis of models of the research sample emerged several results emerged from the artist Faik Hassan commented on his rich heritage and his Baghdadi originality in terms of his treatments for his various artistic achievements throughout his career. The search contained two axes. The theoretical axis, which included: a historical introduction and contemporary Iraqi art and references influential in Iraqi art: works of super good. The research methodology, the selection of samples of the research sample, the justification for its selection, the research methodology, the analysis of the sample of the research sample, and the conclusion that contained the main research findings, recommendations and list of sources and references on which this study was based.

Back Download

References

• Al-Baalbaki, Mounir, Al-Mawred Dictionary (Rajem's Encyclopedia of the Famous Arab and Foreign Media, Veterans and Modernists), Derived from Al-Mawred Encyclopedia, Dar Al Elm for Millions, Cultural Foundation for Publishing and Publishing, 1st edition, Beirut, Lebanon, 1992.
• Allam, Nemat Ismail, Middle East Arts in Islamic Era, 2nd edition, Dar Al Maarif, Egypt, Dar Al Maarif, Egypt, 1119 Corniche El Nil, Cairo, Egypt, 1977.
• Al-Ra'i Newspaper, Ghassan Mofadela, A Preliminary View in the Works of the Artist (Shaker Hassan Al Said), Friday 10/11/1995.
• Attiyatullah, Ahmad, Modern Knowledge Department, 2nd edition, 1975.
• Azmi, Khalis and Nazar Salim, the first conference of the General Union of Arab Fine Artists, Ministry of Information, Directorate of Public Culture, Art Series (25), Thunayan Press, Baghdad, Iraq, 1973.
• Breadwood, Robert. C, Archaeologists, translation: Kamal alMalakh, 1970.
• Fayrouz Abadi, (1301 AH). Ocean Dictionary, for the princely press, 3rd edition.
• http://almothaqaf.com/index.php/sha wkat-alrobaie/48116.html. Honoring the artist Shaukat Al-Rubaie.
• http://www.babilnl.org/b51x052ak.htm. Encyclopedia of Plastic Art.
• Ibn Manzoor (Muhammad ibn Makram bin Ali Abul Fadl Jamal alDin bin Manzoor al-Ansari al-Ruwai'i African (711 e), the tongue of the Arabs, Dar Sadr Beirut, Lebanon, 1311/1955.
• Razi, Muhammad ibn Abi Bakr ibn Abd al-Qadir, Mukhtar al-Sahah, investigation: Mahmoud Khater, Library of Lebanon Publishers – Beirut, 1415 / 1995.
• . Rosenthal and his (colleague), the philosophical encyclopedia, translation: Samir Karam, review: Dr. Sadiq Jalal Azam and GeorgeTarabishi, Dar Al-Taliah Printing and Publishing, Beirut, 1967.
• Saliba, Jamil, Philosophical Dictionary, (in Arabic, French, English and Latin), Lebanese Book House (Beirut-Lebanon), School Library (Beirut-Lebanon), 1982.
• Tashkeel Journal, Department of Arts, Ministry of Culture, Experimental Issue (Zero), 2007, p. 42).
• Zamkhshari, Mahmoud bin Omar bin Mohammed bin Ahmed al-Khwarizmi Jarallah, Abu al-Qasim, (467 AH - 548 AH), The basis of rhetoric, Dar Sader, 1979.
• Zubaidi, Mohammed bin Mohammed bin Abdul Razzaq al-Husseini, Abu Fayd nicknamed Murtaza al-Zubaidi, (b). Crown of the Bride, investigation: a group of investigators, Dar Hedaya.